Films by Dima Kalenda, cinematographer and director in Manchester: fashion, sport, commercial and music video.

Hiring for one role? Pick it below — that work comes first, the rest steps back.

1/2 Role

33 films

2/2 Type

Selected nine first, then the rest, newest first. Numbers are the index.Manchester → worldwide

Frame from Adanola, cinematography by Dima Kalenda

№009▶ Open

009Adanola

Client: Adanola
Role: CinematographyEditColour
Films: 009.1–009.4
Year: 2023–ongoing

Frame from Luciano — ALIVE, cinematography by Dima Kalenda

№024▶ Open

024Luciano — ALIVE

Client: Luciano
Role: CinematographyColour
Films: 024.1
Year: 2025

Frame from END × A Bathing Ape, cinematography by Dima Kalenda

№007▶ Open

007END × A Bathing Ape

Client: END.
Role: Cinematography
Films: 007.1
Year: 2022

Frame from END × C.P. Company, cinematography by Dima Kalenda

№010▶ Open

010END × C.P. Company

Client: END.
Role: CinematographyEditColour
Films: 010.1
Year: 2023

Frame from END × Clarks Originals, cinematography by Dima Kalenda

№008▶ Open

008END × Clarks Originals

Client: END.
Role: Cinematography
Films: 008.1
Year: 2022

Frame from Zero Two, cinematography by Dima Kalenda

№003▶ Open

003Zero Two

Client: Blackmagic Design
Role: CinematographyDirection
Films: 003.1
Year: 2019

Frame from AXI × Man City Women, cinematography by Dima Kalenda

№014▶ Open

014AXI × Man City Women

Client: AXI
Role: Cinematography
Films: 014.1
Year: 2024

Frame from Revolut × Man City Women, cinematography by Dima Kalenda

№019▶ Open

019Revolut × Man City Women

Client: Revolut
Role: Cinematography
Films: 019.1
Year: —

Frame from Publicis Sapient × Man City, cinematography by Dima Kalenda

№026▶ Open

026Publicis Sapient × Man City

Client: Publicis Sapient
Role: Cinematography
Films: 026.1–026.2
Year: 2025

(more)

Newest first

Frame from Sunderland AFC, cinematography by Dima Kalenda

№033▶ Open

033Sunderland AFC

Client: Sunderland AFC
Role: Cinematography
Films: Soon
Year: —

Frame from Pheasant, cinematography by Dima Kalenda

№032▶ Open

032Pheasant

Client: Short film
Role: BTS stills
Films: Soon
Year: —

Frame from A Toothless Life, cinematography by Dima Kalenda

№031▶ Open

031A Toothless Life

Client: Short film
Role: CinematographyColour
Films: Soon
Year: —

Frame from Nikon, cinematography by Dima Kalenda

№030▶ Open

030Nikon

Client: Nikon
Role: Cinematography
Films: Soon
Year: —

Frame from Pathways, cinematography by Dima Kalenda

№029▶ Open

029Pathways

Client: Yamaha Music Europe Foundation
Role: Cinematography
Films: 029.1
Year: 2026

Frame from Boohoo — Joys of Summer, cinematography by Dima Kalenda

№028▶ Open

028Boohoo — Joys of Summer

Client: Boohoo
Role: CinematographyEditColour
Films: 028.1–028.3
Year: 2026

Frame from Adanola × Lila Moss, cinematography by Dima Kalenda

№027▶ Open

027Adanola × Lila Moss

Client: Adanola
Role: B-camera
Films: 027.1
Year: 2026

Frame from Adanola — Ski Après ft. Daphne Groeneveld, cinematography by Dima Kalenda

№025▶ Open

025Adanola — Ski Après ft. Daphne Groeneveld

Client: Adanola
Role: B-camera
Films: 025.1
Year: 2025

Frame from Adanola — Spring Drop Two, cinematography by Dima Kalenda

№023▶ Open

023Adanola — Spring Drop Two

Client: Adanola
Role: B-camera
Films: 023.1
Year: 2025

Frame from Trailberg, cinematography by Dima Kalenda

№022▶ Open

022Trailberg

Client: Trailberg
Role: Cinematography
Films: 022.1–022.2
Year: 2025

Frame from Closure London × Lanza, cinematography by Dima Kalenda

№021▶ Open

021Closure London × Lanza

Client: Closure London
Role: DirectionCinematographyEditColour
Films: 021.1
Year: 2025

Frame from Adanola — Spring Drop One, cinematography by Dima Kalenda

№020▶ Open

020Adanola — Spring Drop One

Client: Adanola
Role: B-camera
Films: 020.1
Year: 2025

Frame from Free Roam, cinematography by Dima Kalenda

№018▶ Open

018Free Roam

Client: Free Roam
Role: Cinematography
Films: 018.1–018.3
Year: 2024

Frame from Adanola × Tina Kunakey — The Ultimate Legging, cinematography by Dima Kalenda

№017▶ Open

017Adanola × Tina Kunakey — The Ultimate Legging

Client: Adanola
Role: B-camera
Films: 017.1
Year: 2024

Frame from AXI × Man City — 4 Years, cinematography by Dima Kalenda

№016▶ Open

016AXI × Man City — 4 Years

Client: AXI
Role: Cinematography
Films: 016.1
Year: —

Frame from Conexiune, cinematography by Dima Kalenda

№015▶ Open

015Conexiune

Client: Conexiune (personal)
Role: CinematographyDirectionEditColour
Films: 015.1
Year: 2024–

Frame from Adanola — This Is Spring, Pt. 1, cinematography by Dima Kalenda

№013▶ Open

013Adanola — This Is Spring, Pt. 1

Client: Adanola
Role: B-camera
Films: 013.1
Year: 2024

Frame from Trainline, cinematography by Dima Kalenda

№012▶ Open

012Trainline

Client: Trainline
Role: Cinematography
Films: 012.1–012.3
Year: 2023

Frame from DJI — Matrice 350 RTK, cinematography by Dima Kalenda

№011▶ Open

011DJI — Matrice 350 RTK

Client: DJI
Role: Cinematography
Films: 011.1
Year: 2023

Frame from PHIX, cinematography by Dima Kalenda

№006▶ Open

006PHIX

Client: PHIX
Role: CinematographyDirectionEditColour
Films: 006.1–006.4
Year: —

Frame from UEFA Champions League, cinematography by Dima Kalenda

№005▶ Open

005UEFA Champions League

Client: UEFA
Role: Cinematography
Films: 005.1
Year: 2022

Frame from Goodboys — Bongo Cha Cha Cha, cinematography by Dima Kalenda

№004▶ Open

004Goodboys — Bongo Cha Cha Cha

Client: Goodboys
Role: Cinematography
Films: 004.1
Year: 2021

Frame from The Sportsman — Away, cinematography by Dima Kalenda

№002▶ Open

002The Sportsman — Away

Client: The Sportsman
Role: Cinematography
Films: 002.1–002.5
Year: 2017–18

Frame from I Land Sound, cinematography by Dima Kalenda

№001▶ Open

001I Land Sound

Client: I Land Sound festival
Role: DirectionCinematographyEditColour
Films: 001.1–001.10
Year: 2016–ongoing